If you want to watch for deep characterization, actors’ range, or a realistic plot, I suggest avoiding this film.  It almost virtually remakes the original 1981 version which, even when it came out nearly 30 years ago, was the kind of denigrating ’sword-and-sandal’ epic that makes everyone cringe.

However, I have to say that I sincerely enjoyed watching it (and not simply because Sam Worthington would be worth watching under any circumstances).  The film added a gritty element to what was previously terribly camp.  The ongoing jokes about Harry Hamlin’s hair in the 1981 version are a perfect example.  In the latest version, people get dirty, people die, and people get stuck in gigantic scorpions full of – naturally – green goo.  And it’s hysterical. 

This is one of those good bad movies that audiences will enjoy watching.  It’s fun, partly because the story itself is a bit of a romp, but also because the film tries to take itself seriously.  Ignore the drama, enjoy the game!

Charlotte Higgins includes her own joyous review on her blog with The Guardian here.

Congratulations to Ms. Higgins.  I hope to follow her example and add something of my own to public consumption of Classical history.

The wall once ran right across northern England for 117km and cut off the Caledonian ‘barbarians’ from the romanized civilians to the south.  Hadrian built it as part of his campaign of peace and stabilitythroughout the empire (he also had another border built along the farthest reaches of Roman Africa.   Following the massive expansion efforts under Trajan (including the conquest of Dacia in AD 106 and the campaigns against the Parthians beginning in AD 107), Hadrian was faced with a formidable task when he came to power following Trajan’s death in AD 117:  how to consolidate power and stabilize the Roman empire when it had been overstretched for far too long.  Among his various solutions – some successful, some not – were the construction of the wall in Britain and the huge pallisade across North Africa.

Among the benefits of such an undertaking, the construction of Hadrian’s Wall in Britain kept some potentially rebellious soldiers occupied with other tasks.  The wall took years to build as legionaries dug the foundation from the cold, wet clay-mud of northern England and built the forts and milecastles to maintain security at the Empire’s northern border.

The Wall is a rather surprising thing to see, particularly when you only realise after the fact that you have indeed seen it.  During one train trip to Edinburgh, the train I was on passed by a rural neighbourhood near the east coast and there, nestled in a little valley between the train tracks and a farm house, was a small pile of cut stone.  Nothing so spectacular as some of the taller sections and certainly less impressive than the restored section of the wall, this little bit of Hadrian’s political power was enough to catch in my throat all the history that it stood for, and still does stand for.

Also from The Guardian, here is a cute little video of the lighting of the wall this weekend.  THe music may be a bit schmalzy, but it’s a lovely event none-the-less.

The second of the two gold coins is believed, by experts at the British Museum, to be a forgery so this coin is rightly considered to be a unique addition on loan to the collections.

Brutus would likely have minted these gold and silver denarii in 43 or 42 BC to pay his soldiers.  It is very unusual for a coin to bear the likeness of a living person, something that Susan Headley from About.com sees as counter-intuitive to Brutus’ declaration that he was restoring the Republic by assassinating a tyrant.  In addition, the coin is also stamped with the name of the moneyer who had them made – L. Plaetorius Cestianus – and the inscription EID MAR (for Eidibus Martiis, or Ides of March) flanks a freedman’s cap.  The symbolism is clear:  Brutus wanted his soldiers to know that the Ides of March brought about the freedom of the Republic from tyranny, and that he was the instrument of that liberation.

However, Brutus was unsuccessful in his bid to make his name as a saviour.  He and his fellow conspirators were tracked across the known world by Marc Antony and Octavian Caesar and defeated at Philippi only a few years after the assassination.  Brutus committed suicide rather than be captured by Antony.

No matter how skillful these translations, Virgil’s Latin suffers far more in translation than does Homeric Greek. It’s worth learning Latin just to read the “Aeneid.”

Clearly there are some people who enjoyed translating the mightily convoluted 4th Eclogue more than my high school latin class who condemned the technicolour sheep for their very presence in our busy lives.

Not to condemn the value of learning Latin, of course.  Yes, to read the Aeneid, you must have some sincere appreciation for the beauty of the language Virgil uses throughout his poetic epic.  But you need that same appreciation to recognize Caesar’s wit and political prowess, to sympathize with Catullus’ sparrow, and to understand what a conceited wretch Cicero really was.  To know the people, you must know the language so that you can know how they thought about the world they lived in.  It’s as simple as that.

“The extensive hoard was unearthed at Bishop’s Wood, near Ross-on-Wye, just across the Herefordshire border and within the surroundings of the Forest of Dean. Several other, smaller finds, of similar coins had also been found along this route but none as vast or as interesting as this. It was discovered in a rough walling built against the hillside by workmen who were in the process of repairing a road and who struck an earthenware vessel containing the coins. The accidental strike from a pick broke the jar and scattered its contents in various directions.

Details of the hoard were first published in the 1896 edition of the Numismatic Chronicle, and also in the editorial of the Numismatic Circular in November of that year. In both publications a total of 17,550 coins were listed, although a number had already been lifted and dispersed around the region by the time the coins were rescued. Many of these coins were subsequently given to local museums and the portion now being sold by Baldwin’s (containing 1,661 coins and the restored jar that contained them) has remained in the family of the original landowner since they were found in 1895. Included with the hoard is a reprint of the article from the Numsimatic Chronicle of 1896 and a reprint of ‘Notes on a Great Hoard of Roman Coins found at Bishop’s Wood in 1895’ from the “Transactions of the Bristol and Gloucestershire Archaeological Society”, vol. XIX, pp. 399-420, both written by Mary Bagnall-Oakeley. The latter also includes the author’s handwritten annotations and a list, dated March 1898, of the museums and institutions that she was aware had received portions of the hoard.

Following the revolts of the usurpers Carausius and Allectus in Britain in the late third century A.D., it is likely that the area in which the hoard was found was occupied by Roman soldiers at the time the coins were deposited. Given its size it is assumed that the Bishop’s Wood Hoard formed part of a military treasure, intended as payment for the legions. There were no banks in Roman Britain, so the usual practice was to hoard large quantities of money and deposit it in the ground for safe-keeping. It is therefore a fascinating primary source of information for the mints employed in supplying Britain with coinage.

The contents of the hoard are composed almost entirely of bronze coins of the Constantinian family and we can surmise that it was deposited after A.D. 337 as there are many coins of Constantius II, who had received the title of Augustus in that year, included within it. The Numismatic Chronicle lists its contents as follows:

• Claudius II, Gothicus (1)
• Diocletian (1)
• Maximian (1)
• Helena (315)
• Theodora (271)
• Licinius I (21)
• Licinius II (7)
• Constantine I (2,455)
• Constantinopolis (3,512)
• Urbs Roma (4,214)
• Crispus (4)
• Delmatius (30)
• Constantine II (3,683)
• Constans (450)
• Constantius II (2,201)
• Illegible (384)

The majority of the coins were minted at Lugdunum (Lyons), Treveri (Trier) and Arelate (Arles). Rome and Aquileia are also present, as well as a sprinkling of coins from Siscia, Thessalonica, Heraclea, Constantinople, Nicomedia, Cyzicus and Antioch. The coins are in very good condition, many of them having seen little or no circulation. They have been expertly cleaned and preserved and the coins, together with the reconstructed vessel, are now housed within a custom-made cabinet with a glass lid.

There are many coins of interest included and careful viewing of the lots is recommended. For more information about any of the other lots or to make an appointment to view the hoard please contact Paul Hill on +44 (0)20 7930 9450 or at paul@baldwin.co.uk.”

Most recently – and, as far as I’m aware, not the first time this has been implemented – a group of archaeologist who discovered a huge sealed urn utilized the X-ray machines at the Exeter Airport to determine what was inside it.  The answer was the remains of a Roman, discovered at the site of a Roman fort at St. Andrews Hill in Cullompton.

From the dates of the fort and of the urn, it appears that this site was abandoned shortly after the Romans established more definite control over the south coast of England.  This would have been years after the Boudiccan Revolt of 60-61 AD/CE and well after the sweeping invasions of Aulus Plautius during the reign of Claudius (41-54 AD/CE).  In AD/CE 43, distinguished senator Aulus Plautius landed at Rutupiae with four legions:  the Second Augusta, the Ninth Hispania, the Fourteenth Gemina and the Twentieth Valeria Victrix.  The Ninth Hispania would later march north in 117 AD/CE to support the defeat of an uprising and were never heard from again (although it is argued that they survived their stint in Britain and were thereafter posted to the East, where they were destroyed during the Bar Kochba Revolt in Judaea) .  The Second Augusta was commanded by the future emperor Vespasian, sweeping through the countryside to Wales, where they established their base of operations at Caerleon in the Usk valley.

Ted O’Neill was kind enough to forward the press release issued from Rome in January 2010, an excerpt of which is found below:

“An ancient water source in Etruscan times, the web of springs was encapsulated by the Roman engineers in a vaulted, three-chambered semicircular ‘nymphaeum’, which served as a springhouse and probably contained the statue of a Roman river god or nymph. The ancient water source was commemorated by a sestertius coin minted by the Emperor Trajan when he inaugurated his aqueduct and his public baths in the centre of Rome, 1900 years ago.

For more than a thousand years, Trajan’s sacred water source was hidden under a Christian Church, now ruined and dismantled.  The ancient aqueduct still emerges from under the church’s meagre remains.  The water collection chamber of the Caput Aquae (headwaters) and 125 metres of the Roman Aqueduct gallery are still in pristine condition as compared with many crumbling ruins in the centre of Rome.

Ancient evidence and Papal records confirm that this shrine is almost certainly the primary water source of Trajan’s aqueduct:  the vaulted ceilings are all richly decorated with expensive Egyptian blue pigment, which strongly suggests that the great Emperor Trajan, proclaimed Optimus Princeps, almost certainly was here personally for his aqueduct’s inauguration.

Until recently, this water source was considered by some to be a local, regional aqueduct of eighteenth-century origin.

However, a descent below the chapel with powerful lights for  filming of the underground galleries revealed that the brickwork and waterproof hydraulic cement lining the tunnels is absolutely characteristic of the Trajanic age.” (Provincia di Roma:  Commune di Bracchiano, Commune di Manziana, and MEON HDTV Productions, 2010).

This discovery has raised many new questions and avenues for further exploration about the history of this massive construction effort from the early second century AD/CE.  Why was a Christian Church built over the water source and nymphaeum?  Was it purely because the foundations already in place cut down on construction costs?  Or is there any evidence that local knowledge of a clean water source prompted an association with religious cleansing centuries later? 

What can be learned about the unique architectural techniques utilized in the construction of this aqueduct?  Were Trajan’s workers the most advanced engineers the Roman world had ever seen?  What information can be drawn from the Aqua Paola, the seventeenth-century restoration by Pope Paul V, about the original aqueduct? 

What new literary references can be identified to support our knowledge of this discovery? 

What geological information is available on the site about the nature of the springs that supplied Rome with fresh water? 

Can the producers’ theory that the famous Trajanic coin represents the nymphaeum rather than the fountain on the Janiculum Hill be proved beyond question, and reflect a poetic conclusion to this wonderful discovery?

It is hard to imagine that this archaeological project is still in its early stages – the aqueduct source has been identified but the long-term research on engineering and construction methods, the history of the site and its socio-cultural significance have yet to be explored, published and debated.  To the project and its restoration and conservation efforts, I say happy hunting!

Enjoy!  And thanks to the Rogue Classicist for posting such a wonderful video!